Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Master of Moulins
Dauphin Charles Orlant

ID: 77661

Master of Moulins Dauphin Charles Orlant
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Master of Moulins Dauphin Charles Orlant


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Master of Moulins

French 1480-1500 Master of Moulins Gallery Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.  Related Paintings of Master of Moulins :. | Mary Magdalen and a Donator | Madonna and Child Adored by Angels | the dauphin charles orland | Pierre II, Duke of Bourbon, Presented by St. Peter | The Virgin and Child before a Firescreen |
Related Artists:
Vittore Carpaccio
Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
Yasuo Kuniyoshi
Japanese-born American Photographer, 1893-1953 was an American painter, photographer and printmaker born in Okayama, Japan. He migrated to America in 1906, a year later began studying at the Los Angeles School of Art and Design. In 1935 he was awarded the Guggenheim Fellowship. He was known for his still-life paintings of common objects, female circus performers and nudes. He died in New York City.
Georg Pencz
Georg Pencz (c. 1500 probably in Westheim near Bad Windsheim/Franconia - 1550 in Liepzig) was a German engraver, painter and printmaker. Pencz travelled to Nuremberg in 1523 and joined Albrecht Dereres atelier. Like Derer, he visited Italy and was profoundly influenced by Venetian art and it is believed he worked with Marcantonio Raimondi. In 1525, he was imprisoned with the brothers Barthel Beham and Hans Sebald Beham, the so-called "godless painters", for spreading the radical views of Thomas Mentzer by asserting disbelief in baptism, Christ and transubstantiation. The three were pardoned shortly afterwards and became part of the group known as the "Little Masters" because of their tiny, intricate and influential prints. In Nuremberg, influenced by works he had seen in Italy, Pencz painted a number of trompe l'oeil ceilings in the houses of patrician families; one, for which a drawing survives, showed workmen raising building materials on a hoist, against an open sky, to create the illusion that the room was still under construction. Around 1539, Pencz briefly returned to Italy, visiting Rome for the first time, returning to Nuremberg in 1540, where he became the city painter and earned his greatest success as a portraitist. As an engraver, he ranks among the best of the German eLittle Masterse. Notable prints include Six Triumphs of Petrarch and Life of Christ (26 plates). The best of his paintings are portraits, such as Portrait of a Young Man , Portrait of Marshal Schirmer and Portrait of Erhard Schwetzer and his wife.






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